Category Archives: blog

my news, latest designs, inspiration and interests

my Healing Journey with sound

Magic at work!

Continuing on from my last blog post…
After listening to the ancient Shamanic singing bowl and it healing my headache back in November 2022, I continued listening to it and other singing bowls online. Their sounds soothed me, lulling me into a meditative state or sometimes I’d be sent off into the land of nod. 

Sound healing seemed to be drawing me to it, almost like it was beckoning me and calling me by name!

I knew I needed to get some ancient Tibetan singing bowls and be able to do it for myself, work with their healing energy to help with my healing. But I felt both pulled towards and pushed away from the magical ancient shamanic singing bowl, having a fear that it held too powerful an energy for me, plus it was very expensive. Instead, I found some other ancient Tibetan bowls on a different website – that were cheaper – and treated myself to them for Christmas. I was sent a range of mallets with the bowls and these helped me get started on my singing bowl journey.

ancient shamanic singing bowl

6 months on… and the ancient shamanic was still for sale, had it been waiting for me?

I still loved listening to it, often feeling cocooned inside its sound, and decided that I now felt ready to work with it and its healing energy. When it arrived though, I thought I’d made an expensive mistake as I found it difficult to play and unable to connect with it properly. Tapping its rim with a soft mallet I could get a beautiful sound, but found it very heavy to hold and too large at 10 inches to play around its rim.

Did it just needed time to settle in and get to know my energy? Or perhaps I needed to further develop my bowl playing skills?

Thankfully, I persevered with it and towards the end of 2023 it began to sing for me and share its magic, and now after further practise during 2024, I feel comfortable and at ease working with it.

As my skills develop I seem better able to adapt to playing with a range of different sized singing bowls, not just the mid weight medium sized 6-7″ bowls which I preferred when I began, now I’m also able to play some of the larger/heavier and smaller/lighter ones too.

It may sound strange, but I think a special connection takes place when I work together with singing bowls. When I’m playing them, a symbiosis / an exchange of energy happens and my energy helps the bowl come alive, awakening its magic and enabling it to share its healing sound vibrations.

I’ve shared a short video of its sound…

A bit more about singing bowls:

The sound of each singing bowl is on the musical scale from C, C#, D, D#, E, F, F#, G, G#, A, A#, B (sometimes its listed as C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B) each believed to correspond with our bodies chakras; C=root chakra, D=sacral chakra, E=solar plexus chakra, F=heart chakra, G=throat chakra, A=3rd eye chakra and B=crown chakra

A bit more about this antique singing bowl:

Sound: Its C#3 136hz when struck with a padded mallet, but this alternates between C3-C#3 135-139 Hz and changes to G#4 404-411 Hz for rim play using both suede and wooden mallets.

C is the root or base chakra, which helps with grounding and healing the physical body, working particularly with lower spine problems, such as sciatica, as well as problems with our legs, feet and immune system.

According to my online research into healing frequencies, 136hz is a special sound, known as the ‘earth frequency’. Listening to this sound frequency is believed to help promote emotional, physical and spiritual healing. Calming our nervous system, relaxing the body and releasing stress. It encourages a meditative state, supporting our focus, concentration, balance and grounding us.

A very magical bowl!

This ancient singing bowl has a beautiful golden colour, very little decoration, only a faint line running around the rim on the inside of the bowl and 2 lines around the outside of the rim. It has a small button lingam and a shallow shape that was sometimes used by shamans for divining, rituals and ceremonies, alongside sound therapy.

I’ll continue with more about my sound healing journey in my next blog post…

Thank you for being part of my journey, wishing you sparkles and hugs my lovelies, Rowena xx

my Healing Journey

Overcoming the obstacles along my rocky roadway

It was a simple slip on black ice that caused me so much grief these past few years…

At the time, in January 2021, I didn’t think my accident had done any serious damage, as although I was in quite a lot of pain, I was in one piece and didn’t seem to have broken any bones.

What was worse, it happened when all the hospitals here in Lancashire were overrun dealing with Covid, and because of this I decided not to go to casualty, the thought of spending 9 or 10 hours sitting there in pain whilst waiting to be seen put me off, plus the possibility of potentially catching Covid whilst there.

Landing with a jar on concrete resulted in quite a few injuries; to my tailbone, wrist, and neck.

My tailbone injury gave me mobility issues, my wrist injury meant I had to limit carrying anything heavy and doing activities that would put pressure on it, my neck injury/whiplash caused headaches and some difficulties with my vision when I was working on the computer (everything really, that needed my concentration, from reading and driving to watching the tv).

These injuries weren’t even improving with time, as the following year, in 2022, my tailbone injury turned into painful sciatica, when it was at its worst during the Summer months, I could hardly even walk, trying to do anything was painful and exhausting. 

I found it harder to retain my normal joie de vivre. Now when I look back on this time, I feel like perhaps this rocky road was put there to help me appreciate when things flow, and everything works out easily. 

I tried to keep positive with the thought that ‘out of the dark, comes the light, it shines all the brighter, when illuminated against the darkness!’

This leads me on to some welcome things that changed my health for the better…

In the Autumn of 2022, something was compelling and pushing me towards listening to ancient Tibetan singing bowls online. I began listening to a range of bowls that had different sound frequencies as part of my relaxation. I was drawn towards the sound of a particular bowl, an ancient shamanic bowl. I listened to it many times, as if being enchanted by its soothing sound, and then one time whilst I was listening to it, I felt something click in my head and my eyebrow headache was gone.

Unmistakably, something quite special had just happened to me!

I believe its healing sound worked its magic and released the pressure/blockage in my eyebrow area that was causing my headache and eyesight problems. Initially I hadn’t linked the change in my eyesight and the difficulty I was experiencing with my close vision to my accident, as I’d assumed it was age related, needing glasses or a magnifying glass to see ‘close to’ for reading and making. Amazingly after this ‘click’ in my head, my eyesight gradually improved and reverted to normal and I could see without glasses again. 

wearing my glasses to read or make

I felt this was all the proof I needed of the power of sound; as it was showing me personally that it really can heal you.
Read more about my magical sound healing journey in my next blog post

And my other injuries?
Thankfully in Spring 2023 my sciatic improved after visiting a friend, her husband got me hanging from their door frame to help fix it, and it did help to realign it a bit, reducing my pain enough for me to live my life more normally. Although even now – Summer 2024 – my sciatic still feels like it’s ‘a work in progress’. My wrist is also much better, as long as I’m careful with it and don’t lean on it or carry anything heavy.

Thank you for being part of my journey, wishing you sparkles and hugs my lovelies, Rowena xx

Next post: my healing by sound fascinated and intrigued me, and I’ve felt compelled to discover more…

plans for 2024

What am I up to in 2024?

short answer: improving my writing and videos, website work, experimenting, a new studio space, house stuff, and many other magical things.

Longer answer:

Writing and speaking, are 2 things I’ve always struggled with, but this year I’m overcoming my fears and tackling those gremlins, by improving my skills and doing lots of practise.

Website work, which along with writing more about my design inspiration, there’s a few new bewitching beautiful zodiac earring designs waiting patiently to be added to the elfin alchemy web shop, plus other designs that in development and ‘a work in progress’.  

Spending time experimenting and being creative, exploring some of the many design ideas swirling around my head, so carving out more time for experimenting in 2024 is high on my list.

I’m also putting my desire for a new studio space out there for it to manifest!

But first on my list has had to be, working on my house, lots of stuff urgently needs doing. I was kept busy with other things last year (see my recent highlights of 2023 blog post) and then in 2022 I was out of action with sciatica.
Now, part-way through 2024 I’m making good progress with my house jobs, but it’s been all consuming with little time or energy leftover for anything else, especially with all the goings on in my home life.
Hopefully by late summer I’ll be back on track though…  

Seeking balance and ways of destressing from all the house tasks, I’ve been exploring lots of different things I’m interested in – on my healing and spiritual journey – such as sound healing, dowsing, visiting healing wells and woods, and reading about our ancient history. I’ll share more about these in my next blog posts.

There’s also my pet project, which I’m not sharing on here yet, but it involves lots of reading, researching and writing, it’s something close to my heart and a topic I’ve always felt drawn towards – I’ll share it with you when its further along – as so far this year I seem to be drawn down other rabbit holes…

I reckon I’ve got a pretty busy and magical year ahead!

I will let you know how I get on, thank you for being part of my journey, wishing you sparkles and hugs my lovelies, Rowena xx

Read on… in my next blog post about my rocky road up the mountain path and what’s been helping me.

2024 in focus!

2024… A year of going with the flow and glowing!

Do you choose for yourself a word of the year?
You may ask, why would you? And what’s the point of it?
Our ‘word’ or ‘words’ of the year, can help us to focus on something we want to achieve, or need more of in our lives.

I’ve been doing it now for a couple of years and feel it helps me to think about what I want to focus my intention on for the year ahead, deciding where I’m going and what I want/need.

My words for 2024 are; flow and glow
I feel these words chose me, they were given to me in a way, to help me overcome the difficulties I’ve been encountering the past few years on my journey .

The word ‘flow’ has many meanings for me…

Instead of fighting against the flow, it’s much better to swim along with the current in the stream of life, going around the rocks and obstacles that appear in our way. 

Our obstacles often start to diminish and fade away when we view them with a different mindset. When we go with the flow, answers appear and problems dissolve before they can take root, not giving them the chance to take hold and become bigger in our mind.

“I tend to find when I dwell on my problems it’s almost like it feeds them – giving into feelings of anxiety, stress and fear – and they grow as if they are the weeds of the mind.”

If we can turn it around and think of problems as opportunities to learn, see them for what they are, just as ‘experiences’ that we are going through, discover their silver linings, as perhaps they are there for a reason and have crossed our paths to help us grow.

When we are in our flow state of being, our creative juices flow and ideas seem to just appear out of thin air, many good things come our way and strange synchronicities happen like magic.

What does ‘glow’ mean to me…

It’s feeling happy and healthy, living and being in the moment, being in the ‘zone’ where we find the joy and happiness in what we are doing, spending time with people we love and seeing the beauty that’s all around us.

“When we ‘glow,’ we twinkle, we light up with sparkly energy and the joy of being alive.”

So, I definitely feel I’ve been guided to go with the flow and allow myself to glow during 2024!

Maybe I’ve inspired you to have your own focus/intention words for 2024, do let me know in the comments below…

I also want to say thank you for reading my post and coming with me on my journey, wishing you sparkles and hugs my lovelies, Rowena xx

Read on… in my next blog post about some of my plans for 2024 and what I’ve been working on so far this year.

2023 highlights of a jewellery artist

Hurray! What a relief that 2023 was a better year for me and I’m able to begin 2024 on a bit of a high…
Scroll down to see my photo gallery of highlights

My highlights of 2023:

  • Creating a range of new wirework jewellery designs inspired by the art of the ancient Anglo-Saxons, Celts, and Byzantines, then teaching these designs on a jewellery making weekend masterclass at the British Library in London.
  • Whilst in London, visiting the British Library treasures gallery to see their Illuminated Manuscripts and spending many hours being fascinated by ancient artworks at the British Museum.
  • Further developing my new jewellery collections; including vine and byzantine scroll style wirework, and celestial charm earring collections and adding them to my elfin alchemy web shop.
  • Creating a new darker look, updating my elfin alchemy website with better photographs, and revamping my stall display with many new upcycled pieces.
  • Being interviewed and featured in a 2-page spread in the Ribble Valley Live magazine
  • Enjoying great talks and buying many interesting books whilst at the Mysterious Earth Conference, my 5th year of being there!
  • Taking part in some new super Lancashire events and my work getting lots of love, with many of my latest pieces heading off to new homes

I feel very thankful that I was blessed with a much better year in 2023, after all the health difficulties I faced in 2021-22. In one of my upcoming blogs, I’ll share some of the things that helped me through this difficult time.

There still wasn’t enough time to fit everything I wanted to do into 2023, so some things were postponed and became part of my 2024 tasks.  These I’ll share with you in my next blog post…

Thank you for being part of my journey, wishing you sparkles and hugs my lovelies, Rowena xx

Some photos of my 2023 highlights:

Discover the magical Pendle Heritage Centre

The Pendle Heritage centre, some history about it, and why you need to come and visit it…

With my upcoming elfin alchemy pop-up exhibition at the Pendle Heritage centre this Halloween, I thought I’d share with you some info about this fascinating place and maybe entice you to visit me whilst I’m there.

But not to worry if you can’t pop by at the end of October, it’s such a lovely heritage centre with its unique history and character to visit at any time of year, as there’s a small selection of my elfin alchemy jewellery – symbolic wearable art made with wire, crystals, and glass – on display in the gift shop.

The Pendle Heritage centre incorporates a museum, walled garden, medieval cruck barn, gift shop, and café. The locally made arts and crafts in the gift shop, garden plants, and café help support the Heritage centre, so if you buy something here it’s a win-win, as you get something beautiful or something tasty to eat whilst supporting a good cause.

Inside the walled garden

Pendle Heritage Centre was originally an old small medieval farmstead, called ‘Park Hill’ and is one of the oldest buildings in the area. In the mid-1970s the farmstead was saved from demolition and rescued by a conservation group led by Mr. John Miller, they set up a building preservation trust, now the heritage trust for the North West, and created the Pendle Heritage centre in 1977.

The aims of the Heritage Trust, a registered charity, are to restore and find appropriate new uses for buildings at risk in the North West.  Quoting the trust website: “What is a heritage centre? A heritage centre presents historical and cultural information about a place and its people in a ‘hands-on’ informal way. Pendle Heritage Centre looks at the life, history, and heritage of the places around Pendle Hill.”

Inside the museum – showing the structure of the building

In the Heritage Centre Museum you can learn all sorts:

  • See and learn how the 15th Century timber framed farmhouse was built and added to over the years to make it the building we see today
  • See the kitchen in-situ
  • Discover more about the families who lived in the farmhouse and the history of the surrounding area and look at some historical maps and documents
  • See some of the carved stonework from the local abbeys
  • Learn about the Pendle witches and their trial

It’s well worth taking some time to look around, read the info, and learn about these interesting times in our history, a world away from us today in the modern age. 

Inside the museum – an ancient document on display

I hope these snippets about it, have intrigued you to learn more and come along for a visit. If you need more visitor info, take a look at the Pendle Heritage Centre website: www.pendleheritage.co.uk

A few comments by visitors to the museum:

“Good historical and varied information” a visitor from Fife, Scotland
“Very glad we came here” a visitor from Staffordshire
“Excellently explained, loved the story about the witches, sad tale” a visitor from Blackpool

In my next post, I share a bit more about the Pendle witches display at the Pendle Heritage centre and this turbulent time in our past.

It’ll be lovely to see you if you call by to see me and my elfin alchemy pop-up exhibition this Halloween. I’ll have a magical collection of work on display, from symbolic sculptural wirework jewellery designs to colourful sparkly unique fused glasswork.

Thanks for joining me on my magical creative journey, and reading my blog post about this enchanting place. Wishing you sparkles of light. Sam Rowena, elfin alchemy, Lancashire jewellery artist

How my elfin alchemy flower design links to witchcraft

I was stunned to discover all the symbolism and history of the 6-petal flower design!
In 2006 when I came across a flower bracelet design in a jewellery making book I was just drawn to its shape, little realising then of the journey it would take me on creating my own version of it or the voyage of discovery that would unfold as I learn more about its ancient history and meaning.

If you are interested in reading about how I created my unique elfin alchemy wirework flower jewellery design, and the unique journey I went on, you can read all about it in my last blog post.

In this blog post, I’m sharing with you how my flower earring design links to witchcraft in medieval times.

My life is full of coincidences… how did I first come across this? I’m not quite sure, but I think I just stumbled across a picture of the 6-petal flower symbol online and saw that it was the same as my flower jewellery design, varying slightly as it is inside a circle.

The 6-petal flower is better known as a rosette, hexafoil, or daisy-wheel symbol and has been discovered in medieval and renaissance buildings; homes, churches, and agricultural barns.

Why?

It was believed the flower rosette symbol was magical and would help protect the dwelling and its inhabitants from witchcraft and evil. The use of this symbol mostly dates to a time in our past – medieval times, from after the reformation in 1517 – when there was widespread belief in witchcraft, superstition, and the supernatural.

The 6-petal flower rosette, a magical symbol of protection was commonly used across Britain and Europe until the end of the 19th Century, and in some rural areas – in places such as Poland – was in use up until the 1950s.

Other names for it are witch mark, ritual protection mark, or apotropaic mark. ‘Apotropaic’ comes from the Greek word for averting evil and the marks were often etched into stone, plaster, or woodwork near a building’s entrance point, especially doorways, windows, and fireplaces to ward off evil from entering and protect the inhabitants from witches and evil spirits.

The most common apotropaic mark is the six-petal flower design drawn with a compass. Sometimes the circles and lines extend outside the circular flower design, with the belief that using endless lines, would confuse and entrap the evil spirits.

Photo: from Historic England, daisy wheel scribed onto a wooden beam in a house in Oxfordshire, by Tom Irvings

In medieval times, it was believed that evil spirits were at work all around us, and many different signs, symbols, and charms were used for protection and good luck, such as putting shoes in the chimney or a horseshoe above the entrance door.  

Apotropaic marks are a popular topic around Halloween with many articles about them and from what I’ve read, the 6-petal flower also seems to have been used as a decorative folk-art motif representing good luck (besides its protection from witchcraft) to adorn all sorts of items, from ceiling beams, doors, crosses, cornices, coats of arms, furniture, musical instruments, to ritual items, graves, and even ships.
A few of the countries where they’ve been discovered and mentioned online: are Portugal, Yugoslavia, Austria, Poland, Russia, the Carpathians, as well as European settlers that went to the USA, Australia, and other countries.

I still have so many questions

Why use this particular 6-petal flower symbol?
Where and how did it begin?

As the path unfurls I am constantly coming across and being given more breadcrumbs of info to follow and really feel I was meant to create this magical rosette flower symbol.

the 6-petal flower design

If you’re interested in reading about how I came to be on this enchanting journey of creating my own elfin alchemy wirework 6-petal flower design, read my last blog post which I’m sharing with you it’s unique story.

Head over to my elfin alchemy website to see my colourful flower earring collection. I make them in other colours too, get in touch with me if you’d like them in a different colour, as I can create them in around 20 different colours.

In future blog posts (next year) I’ll be sharing some further history of this flower design, as I’ve discovered its history goes further back in time to the Romans, Greeks, and Sumerians, and I’ll be writing more about other ancient symbols and artworks that I’m drawn towards. 

My next blog posts are also about witchcraft – the Pendle Witches – and our Lancashire history on display at the Pendle Heritage Centre. This coming Halloween I’m going to be returning there with my elfin alchemy pop-up exhibition, instead of being in the small barn, I’ll be inside the Heritage Centre in the room next to the gift shop.

There is magic all around us…

Thanks for joining me on my magical creative journey, and reading my blog post about this fascinating flower symbol. Wishing you sparkles of light. Sam Rowena, elfin alchemy, Lancashire jewellery artist

My elfin alchemy flower design story

I didn’t have an inkling when I started on my creative journey with this flower design about its symbolism or history and was quite amazed when I discovered its link to witchcraft in medieval times.

Anyway, I’ll share with you first in this blog post how my flower journey began.

In 2006 whilst studying silversmithing part-time at college I came across the picture of the 6-petal wirework flower in a bracelet design whilst looking through an American jewellery book.

I’m not sure why I was drawn to this particular flower shape, perhaps it was due to its simple symmetry. 

my flower design inspiration for my jig wire work project whilst studying at college in 2006
My flower design inspiration

Or maybe there was something drawing me on this path?

The story would have ended there though, had it not been for my neighbouring student, Alan a retired engineer, who said I could make a jig to create a similar flower pattern, and that he’d help me.

I’d discovered a jig pegboard in the classroom cupboard and had been teaching myself how to use it, as whenever I was stuck and waiting for some teacher guidance with my silversmithing I’d spend the time experimenting with wire and developing my skills. This basic plastic jig had holes in it to create repeat patterns using wire, but the holes weren’t in the right places to make the flower pattern.

The next time I saw him, Alan had brought me a piece of wood and some nails and with his help, I used a compass to draw a small circle in the wood, mark out 6 points, and hammer nails into them, before sawing off the top of the nails and filing them flat.  This first attempt didn’t work properly, as the nails were too thin, so I did it all again with thicker nails, and thankfully this time I was able to create a decent flower pattern with my homemade wooden jig.

I adapted the shape of the flower from the original one in the book that had been my inspiration, to make all the petals as similar as possible, and turned my flowers into jewellery for one of the silversmithing course projects.

the 6-petal flower design I created for my jewellery making college project in 2006
my flower jewellery design for the college project

The flower design journey doesn’t quite end there… as whilst developing my jewellery-making skills, knowledge, and qualifications for 5 years of silversmithing part-time at college, I was also studying to be a teacher. Quite by surprise, 2 years into my teaching journey I was given the opportunity to teach my hobby of jewellery making, fast forward a few years, and whilst teaching jig designs at an intermediate wire skills class, one of my students added the middle section to the flower but didn’t know how she’d done it. So, I taught myself and then the class this new variation.

This is the flower design I still create today, with its central wrap, as it helps to keep the wire shape more secure when worn as a piece of jewellery.  I make them in healing copper wire in a range of bewitching beautiful colours, from golden yellow to pretty pink and purple shades, combined with sterling silver ear hooks. Take a look at my current collection of elfin alchemy flower earrings.

creating my elfin alchemy flower design using my homemade jig and wire
creating my elfin alchemy flower design using my homemade jig

They’re quite special don’t you agree?

I kind of feel I was meant to create this 6-petal flower design and learn more about its history and magical symbolism, which I’ll share with you in my next blog post.

There is magic all around us…

Thanks for joining me on my creative journey, wishing you sparkles of light. Sam Rowena, elfin alchemy, Lancashire jewellery artist 

musings about the elfin alchemy pop-up exhibition in October 2021

The Pendle Heritage centre is such a fantastic place to spend some time, and be enveloped in all its magic and mysteries… The ancient stone barn is set in a beautiful location, nestled next to Heritage centre, across the cobbles from it and the parkland in Barrowford, surrounded by picturesque Lancashire countryside in the borough of Pendle witch country.

I felt very lucky to finally be able to hold my elfin alchemy pop-up exhibition at the Pendle Heritage centre during the October half-term and Halloween in 2021. It’d been a longer wait than planned… as I’d originally booked it for October 2020, back in 2019, but due to Covid and lockdowns it was postponed to the following June. (you can read more about it in my last blog posts). 

pendleheritagecentre2022f

Guest artists

It had been my wish to share the space at my elfin alchemy pop-up exhibition with guest artists, and be able to give them the opportunity to display their work and meet a different audience. But, I was glad I’d decided to wait and see how my first pop-up exhibition in June went, as it gave me the chance to figure out if I could fit an artist in the space downstairs. I knew there’d be room for at least 2 artists upstairs (as Covid was still around I limited it to just the 1 artist upstairs).

After organising some studio group events a few years ago, I was aware of the work involved, so to make it easier for myself I was just inviting guest artists I already knew. Covid made it more difficult, as some of the artists I asked, weren’t able to do events because they or close family members were in the ‘at-risk category’, thankfully 2 artists were able to join me for the Halloween weekend.

“My pop-up exhibition theme with it being held at the Pendle Heritage centre was alchemy and anything related to myths, magic, woodland creatures, nature and fairy tales.”

pendleheritagecentre2022e

Potter Barbara from Barbara Lea Pottery was downstairs with her magical ceramic fairy mushroom houses and textile artist Josephine from Phinefibre was upstairs with her colourful abstract fibre jewellery, cards, art and drum sticks.

It was lovely to be joined by these talented makers in the barn, but I felt under added pressure, as I really wanted the weekend be worthwhile for them…

Phew, I felt so relieved that we were quite busy with visitors all weekend!

To fit in my guest artists, the downstairs room needed rearranging. Normally I was sat making next to my main display, blocking the stairs. I moved my small making / packing table away from my display next to the entrance, but this didn’t work out as well for me as I wasn’t sat next to my display and couldn’t  chat with visitors when they’re looking at my displays and able give them more info about my pieces.

pendleheritagecentre2022h

The barn is what you’d call quirky, the downstairs room is kind of an awkward shape that doesn’t really lend itself for fitting in 6ft tables, although a table fits into the back of the room, I used this as an info and leaflet table, and moved them when my guest artist Barbara was in that space.

There needs to be a display table in the alcove next to the stairs, so people can see it when they are walking past the entrance and going into the Heritage centre. But, if you sit one side of the display table you’re blocking the stairs, and if you sit the other side of it, you’re blocking the way, with the room being at its narrowest there (it would originally have been 2 rooms). Next time I’m going to try moving my display table sideways and see if I can squeeze into the alcove with it and hopefully that’ll work better.

Apart from these niggles, it’s an amazing space with lovely energy, there’s big windows in the entrance section that let in lots of light, which is the other reason I was sat blocking the stairs, as it’s got the best light for making, allowing visitors to watch me working and chat with me about my creations.

pendleheritagecentre2022d

Upstairs, is even lovelier, with a great view of the Heritage centre, cobbled courtyard area and parkland beyond and sense of space with its high ceiling.  

If all goes well, I hope to return for another elfin alchemy pop-up exhibition there in October 2022, with guest artists joining me at both weekends and short 20-minute recycled jewellery making tasters on the Monday-Wednesday of the half-term week.

In my next blog post, you can read about my fascinating flower design journey of discovery.

There is magic all around us…

Thanks for joining me on my creative journey, wishing you sparkles of light. Sam Rowena, elfin alchemy, Lancashire jewellery artist 

elfin alchemy pop-up exhibition October 2021

The Pendle Heritage Centre is such a magical place for my elfin alchemy pop-up exhibition, I’m so looking forward to being there this October half-term. Its the perfect venue to visit for a day out, especially if its raining, you can spend some time learning about local history and the Pendle witches in the museum, find something lovely in the gift shop, have a coffee or eat lunch in the cafe overlooking the walled garden, then come by and visit me in the barn:
Saturday 23rd to Sunday 31st October 2021, 11-4pm

pendleheritagecentre

Originally, I’d booked the barn in 2019 for the October half-term in 2020, but because of Covid it was postponed twice, thankfully it was able to go ahead in June 2021.

It was really lovely to be back doing an event after such a long time… sharing what I make with others really helped boost my self-confidence, and when some days were quieter I was happy to just be there in this beautiful place and sat making  jewellery.

elfinalchemypopupexhibition21c

Many of the visitors that popped in to take a look loved my creations, treated themselves or got presents for loved ones. Wow, some of my glass pendants were even heading to Australia!

I’ve shared a bit of my background story about my elfin alchemy pop-up exhibition at the Pendle Heritage Centre in my last blog post I wrote in the Spring.

Actually, there’s a number of reasons behind me being there…

It all began with me visiting the Pendle Heritage Centre in October 2019 with some extra jewellery pieces for my display in the gift shop in time for the Christmas shopping season and I saw that an artist was exhibiting his work in the barn. I thought I could do that, why don’t I do it and see how it goes? Whilst I was there, I mentioned that I’d be interested in doing it, and then ended up booking it for the following October…

elfinalchemypopupexhibition21

Really what prompted me to go for it, was the lack of good art and craft events in Lancashire, they are like gold dust and then there’s the problem of being accepted for a stall, as there’s an over-abundance of jewellery and glass makers.

Although 2019 had been quite a good year for me, I’d been teaching back down in London, and at a few 1-1 bespoke workshops, plus I’d taken part in some good events over the Spring and Summer. Then in the Autumn, when my applications for a number of events hadn’t been successful, it knocked my self-confidence and belief in what I make. Lots of things were going on in my head, I wondered if I should continue on my creative journey when the path seemed so difficult.

“I decided not to ‘give up’ as I felt that sure that other opportunities would appear!”

I decided to try and see it as a positive, maybe this rejection of my work and not getting into these events was actually helping me move in the direction I was supposed to go.  It gave me the push that I needed, to go outside of my comfort zone. and it spurred me on to book my first pop-up exhibition at the Pendle Heritage Centre. It also pushed me to try other things too… as it was around this time that I first heard about Barrica in the Park and emailed them about getting involved. 

My other reason behind me wanting to do my elfin alchemy pop-up exhibition is related to my health.

Doing events on my own is quite physically demanding and as I get older, I don’t have the same amount of energy that I used to have. The early start, the drive, moving boxes, setting up and taking down the display and the long day, means I’m totally shattered afterwards… and that’s only a small part of the work, there’s all the preparation that goes into it beforehand. 

“In my head I believe I’m still young, but my body tells me otherwise”

I do enjoy the buzz of doing events, meeting and chatting with people about my makes, getting feedback on new work, finding customers that love and want to wear my creations, as well as the social side of getting the opportunity to catch up with other makers. But I’m having to be realistic and going forward, needing to be more selective of the events I choose to do and not do as many.

The beauty of my pop-up exhibitions, is that I only need to set up my displays once and then they’re up for the duration of my exhibition.  Although it initially involves a lot of extra preparation creating new displays, once they’re made, they can be used again at my next pop-up exhibitions.

Another positive is having the exhibition space to create displays so that I can share the story behind some of my makes, you can learn about how my daisy flower design is linked to witchcraft and how my fascination with the ancient spiral design led me on an amazing journey.

elfinalchemypopupexhibition21d

 

“What’s best is I can make the most of being in a beautiful barn, where I’m able to sit making and chatting to visitors about my work and its inspiration, any sales are an added bonus!”   

Knowing how difficult it is to find good events, I also want to give a couple of local artists and makers that I’ve met at events (whose work is also related to witches, fairies, woodland creatures or spirituality), the opportunity to join me as a guest artist for 2 days at my pop-up exhibition. Sadly due to the ongoing Corona virus situation, a few of the artists and makers I invited, said they would have loved to be guest artists, but were unable to join me this time due to them – or close family – being in the ‘at risk group’, and are hoping to be able to come next year. 

I’m really happy to share that over the Halloween weekend – 30th and 31st October 2021 – I’m being joined by 2 local artists. Upstairs in the barn is a textile artist Phinefibre who creates magical felt work and downstairs with me is a ceramic artist Barbara Lee Pottery who creates the most enchanting fairy houses. 

For more info about the venue, visit the Pendle Heritage Centre website

“I hope you’ll get chance to come and visit my elfin alchemy pop-up exhibition in the barn at the Pendle Heritage Centre!”

Thanks for joining me on my creative journey, wishing you sparkles of light. Sam Rowena, elfin alchemy, Lancashire jewellery artist